Facade
from Reasons in the Rhyme - EP by We Came From Space
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lyrics
Out of time
With each rhyme I hide my syncopation
Uphill climb
Back in line I find my inspiration
Smile, nod, build the facade
Don’t go deep
Fear, fraud, still they applaud
Unaware of all the secrets that I keep
In slow motion
My every word hangs there on the ceiling
Heart broken
You never heard anything I’m feeling
Smile, nod, build the facade
Don’t go deep
Fear, fraud, still they applaud
Unaware of all the secrets that we keep
Someone help me
Oh the hill is steep and I keep falling
On my hands and knees
And I’m in too deep, so I keep crawling
Smile, nod, shed the facade
Be real, be flawed, and still they’ll applaud
All the credit to the company you keep
All the credit to the company we keep
With each rhyme I hide my syncopation
Uphill climb
Back in line I find my inspiration
Smile, nod, build the facade
Don’t go deep
Fear, fraud, still they applaud
Unaware of all the secrets that I keep
In slow motion
My every word hangs there on the ceiling
Heart broken
You never heard anything I’m feeling
Smile, nod, build the facade
Don’t go deep
Fear, fraud, still they applaud
Unaware of all the secrets that we keep
Someone help me
Oh the hill is steep and I keep falling
On my hands and knees
And I’m in too deep, so I keep crawling
Smile, nod, shed the facade
Be real, be flawed, and still they’ll applaud
All the credit to the company you keep
All the credit to the company we keep
credits
from Reasons in the Rhyme - EP,
released April 27, 2020
license
all rights reserved
tags
discography
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Feb 2023 -
Mar 2021 -
Apr 2020 -
May 2018
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Sometimes I'll be listening to music and a little disappointed. "Is this it? Is this all music can offer?" This really broke that for me, and reminded me of why I love music.
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What an amazing album from an amazing partnership!
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From the first play of Hygge I was sold beautiful and very talented musician. Thank you Peter for your music
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The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
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